This is an excerpt from a post on my blog “Quilting is My Addiction”.
Without getting too boring or pedantic, I want to say that what I love about quilts is thinking about the anonymity of all those who have thread their lives, industry, and economy into their art. I love imagining the stories they shared, heads bowed over needle, the hopes and secrets, surviving in the fibers, if we can only listen.
No quilt can be reproduced, not really, because it has time sewn into it.
There is an obsession with permanence and naming things that comes with Empires, stamping coins and art and contracts, (all with men’s names, never with the names of women or slaves which sometimes women were by law). But we never run out of the proof that there was always art that was made to gladden the heart, to ease the pain, to connect with hopeful birth and to commemorate loss.
And in a way these proofs that artists were there survive better than the art that is dependant on Dynasties or Holy Empires, because they borrow from each generation, each carefully cherished item and thread a different history, one that includes women and slaves and reaches out to a future undaunted by circumstance, for joy.
Because Empires fall and art becomes fatuous.
But quilts become stories.
Just went to a launch for this charming book written by Peter Reynolds. First off, Quilts! Secondly, thirdly and well, I lost count — Time travel, an only child with siblings, and a tale of family and traditions!
A magical story, nicely illustrated and told with wit and compassion.